Raffey appears in a new editorial! This time she did it in W Magazine with two beautiful photos taken by photographer Jeff Henrikson. Check below part of the article and the previews of the images added to the gallery.
Raffey Cassidy’s entrée into the acting world was a complete accident—and not particularly auspicious. At the age of seven, she was waiting for one of her elder brothers, who at the time was an aspiring actor, outside of an audition for a BBC drama when the casting director, in need of a young girl for a small role, spotted her and asked if she’d like to give it a try. “I don’t remember much other than sitting under a table hacking away,” says Cassidy, now 16 and a high school student in her native Manchester, England. “It was a little coughing and dying part. But I loved being on set immediately—mostly the costumes and the makeup at the time. And I’ve been working ever since.”
And working with some of Hollywood’s biggest names, no less. Her breakthrough, in 2015’s sci-fi adventure flick Tomorrowland—in which she played an animatronic girl—had her sharing the screen with George Clooney. In 2017, she was Nicole Kidman and Colin Farrell’s troubled teen daughter in Yorgos Lanthimos’s eerie thriller The Killing of a Sacred Deer, which won Best Screenplay at the Cannes Film Festival. And most recently, she played both a young Natalie Portman and Portman’s daughter in Vox Lux, which centers on a school shooting survivor who, after singing at a memorial, becomes a hugely successful—though deeply damaged—pop star. “It’s definitely the dark side of fame. She never really deals with the aftermath of the trauma so it’s all coming back when she’s older,” says Cassidy of Celeste, the role she shares with Portman.
And share it they actually do. This isn’t the sort of younger-self role that’s relegated to a few flashback scenes. Cassidy helms the first hour of the movie solo and, once Portman appears on the screen, the willowy Brit—who slips seamlessly into the role of Albertine, Celeste’s introverted teen daughter—more than holds her own. As the Washington Post review of the film said —in the headline, no less—“Natalie Portman gets top billing but is upstaged by an actress you’ve never heard of.” […]
Studio Photoshoots > Outtakes > 2019 – Jeff Henrikson (W Magazine)